Donate Alfred Stieglitz was an American photographer who was instrumental in the acceptance of photography as an art form alongside painting and sculpture.
|Alfred Stieglitz||This movement, witnessed firsthand by Stieglitz while he was still living in Berlin and later upon returning to the United States aftercoalesced with the first international photographic art exhibition in Vienna inin which he was invited to exhibit work. A magnificent limited edition portfolio of large plate heliogravures hand-pulled photogravureswas issued by the exhibit committee for Vienna, and later collected by Stieglitz in his personal photographic library back in New York.|
|Alfred Stieglitz | American photographer | iridis-photo-restoration.com||He had five siblings, Flora —twins Julius — and Leopold —Agnes — and Selma —|
|Alfred Stieglitz||Career Photographer, editor, publisher, art dealer, art patron. Founder of Photo-Secession, ; founder and publisher of Camera Work quarterly magazine, ; founder and director ofan art gallery, ; founder and director of the Anderson Galleries, ; founder and director of the Intimate Gallery, ; founder and director of An American Place, an art gallery,|
|Collection:||Early in the twentieth century a new spirit appeared in American life|
|Get the Picture: Alfred Stieglitz||Early life and work Stieglitz was the son of Edward Stieglitz, a German Jew who moved to the United States in and went on to make a comfortable fortune in the clothing business.|
Literature and exhibited Literature Alfred Stieglitz: Pioneer Collector and Artist, pl. Lot Essay Of all the photographs the Liebmans acquired from Alfred Stieglitz between and it is the views of New York which predominate.
After all, the subject matter of a constantly changing cityscape which seemed to develop in stride with Stieglitz's vision was as appropriate for the artist and patrons to share as it was common to their lives. In certain respects Stieglitz relied as heavily on the city for his inspiration as an artist as Charles Liebman, Sr.
Stieglitz never tired of turning to the New York skyline and streets to fill his groundglass. Of all the themes which dominated his attention throughout his life - the extended portrait of Georgia O'Keeffe, those portraits of his colleagues, allies and family, his cloud and nature studies and his New York views, it is the city as subject which remained constant and it is the views from his window which comprise the central theme within these.
As early as Stieglitz began to photograph from his window - at first from his home and then from the back windows of '' see figures 1 and 2 below. Later, the work would continue from An American Place see figure 3.
The series reaches its logical conclusion in some of the last photographs he made, the views taken from the apartment he and O'Keeffe shared at the Shelton Hotel in the last year they occupied it, see: Christie's, April 8,lot From the Back Window, - N.
Sarah Greenough, in Alfred Stieglitz writes: It is thus no coincidence that in the winter of Stieglitz made a series of extremely formal and objective photographs from the back window of ''.
Made at night and in the snow, they are reminescent of his photographs of New York from the turn of the century. But in the earlier works darkness and weather softened the rigid lines and angles of the city, making it more picturesque; in these they intensify shapes and patterns.
Compositionally these pictures are also reminiscent of some of his photographs of the city: And in their compression of space, their simplified geometric forms, and the resulting tension between two-dimensional surface and three-dimensional objects, these photographs taken from clearly reflect Stieglitz's understanding of cubism Alfred Stieglitz, pp.
It is difficult to believe, however, upon viewing From the Back Window -N.
The delicate and exquisite balance which the long tonal range afforded by platinum paper and Stieglitz's own printing mastery, reveals a scene in which New York at night is recorded comprehensively.
Not only is the geometric jumble of box-like forms, from the greater dimensions of the skyscrapers themselves to the punctuated jewels of light from unattended windows presented as the product of pure metropolis but the intimacy of life also shows through.
The gay billboard advertises the "Parfumerie Riviera" and in the window in the lower right reveals an interior with a dinner table ready, adorned by the warmth of a three tiered candelabra.
Prints of this particular image are extremely rare. There only two other known prints in existence, one in the "Key Set" collection at the National Gallery of Art, Washington, DC and the other in the collection of the Museum of Fine Arts, Boston gift of the photographer, This is the only print known in private hands.The span of Alfred Stieglitz's life, to , saw some of the most rapid and radical transformations ever to occur in the landscape of American society and culture.
Alfred Stieglitz has recently for the first time given the general public an opportunity to estimate his work by letting the publishing firm of R. H. Russell reproduce twelve of his original photographs in photogravure (“Picturesque Bits of New York and other Studies “).
O’Keeffe was a painter, most famously known for her modernist renditions of skulls, flowers and New Mexican landscapes. Stieglitz was a photographer, publisher and influential New York City gallery owner.
They were married for 22 years. But the majority of their married life — 17 years — was spent apart. The below artworks are the most important by Alfred Stieglitz - that both overview the major creative periods, and highlight the greatest achievements by the artist.
Winter, Fifth Avenue () Winter, Fifth Avenue shows the busy New York street in the midst of a snowstorm. Signed, titled, dated twice, inscribed To Mr.
& Mrs. Chas.
J. Liebman - Alfred Stieglitz with a previously mounted photograph's title, date, medium and signature in ink cancelled in pencil on the mount; framer's notations in pencil on the reverse of the mount. 9 3/8 x 7 3/8in. In the original George Of frame.
Alfred Stieglitz (January 1, – July 13, ) was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form.
In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he .